Chris Searle on Gilad Atzmon and The Orient House Ensemble



It is a full decade since the Israeli alto saxophonist Gilad Atzmon established his quartet the Orient House Ensemble.
It's a doubly ironic name for a jazz group, because it not only alludes to the building in Jerusalem originally designated as the official home of the Palestinian Authority which was subsequently seized and occupied by the Israeli army. It also referes to Atzmon himself who, as as a young man, was drafted into the Israeli Defence Force.
Yet his growth as a major talent as an ex-member of Ian Dury's Blockheads, a satirical novelist of works such as Guide To The Perplexed (2001) and My One And Only Love (2005) along with his ardent support for a free, democratic, inclusive and ecumenical Palestine makes his jazz story both unique and full of controversy.
His close musical confrere Robert Wyatt has called him "a seriously funny writer and the wittiest musician since Ronnie Scott" and, alongside a Swiftian edge to his writing, Atzmon maintains a deep empathy and uncompromising support for the Palestinian people, to whom he dedicates his performances and for whom he constantly campaigns and fundraises.