IMPRESSIONS OF MY TWO DAYS WITH GILAD ATZMON

By Trevor La Bonte

From the moment we picked up Gilad at the Austin-Bergstrom Int’l Airport, it was a joy. He was warm, friendly, compassionate, highly perceptive, was always smiling, and is hilarious one moment and profound and serious in the next. He carried only his alto saxophone case, a heavy backpack, and medium-sized suitcase, which I found out were mainly stuffed full of copies of his book, “The Wandering Who?” and other than than, he was traveling lightly.

We took him from the airport to Magnolia Cafe and he began asking me questions about being blackballed from performing. The more I told him, the more outraged and dumbfounded he became, which was a little shocking to me because I had no idea he would become so outraged and care so much, always seeing the larger philosophical implications of everything. He actually cared more about me than I did, and pointed out that the jewish ethnic activists were doing a lot more than just harassing me, they are actually terrorizing the entire community by threatening everyone, forbidding them from hiring me, talking to me, or even being my FB friend. This changed my whole perception of things, and made me angry too. I didn’t think it was such a big deal when I though they were bothering only me, but when I realized they are holding the entire town hostage, I had to agree that this behavior is unacceptable. Gilad seemed most upset that another jazz artist was silenced, and and reminded me that this kind of suppression of free speech is a crime against humanity. It can be hard to see the full significance of something you are at the center of. Luckily, jazz players are ready for anything, so he was unfazed to learn that even the drummer and bass player I had lined up to play with us had backed out two days before the performance, saying there was “too much negativity surrounding the event,” and I had to agree with them, except that the source of the negativity was not me. I have played hundreds of duo gigs, and am actually quite fond of the configuration, even though it is much more work to play all the bass lines, provide groove, rhythmic interest, harmonic color, and to provide the melodicist with responses while he is stopping to take a breath between phrases, all the while trying not to clash of get in the way. It sounds more complicated than it is, though. Your ear tells you what to play, and it really doesn’t require as much thought after awhile.

to read more:

http://theuglytruth.wordpress.com/2014/02/27/impressions-of-my-two-days-with-gilad-atzmon/

Watch In My Solitude played Trevor LaBaonte & Gilad Atzmon

From Xenophobia to Oikophobia

Alimuddin Usmani Interviews Gilad Atzmon - we spoke about Dieudonné, the 'socialist' , The Zionification of the Left,  Oikophobia, the devastating impact of the Frankfurt Yeshiva and the 68 revolution, Bernard-Henri Lévy, Shoa & Humour, the Jewish Question and more..  

http://croah.fr/a-la-une/entretien-exclusif-gilad-atzmon/

Alimuddin Usmani: Joe le Corbeau is a French cartoonist. He is a friend of Dieudonné and often makes a mockery of Zionist figures like BHL, 'the Holocaust religion' and the New World Order. On January 28, he was arrested by the police for having posted on his website a picture of someone performing the quenelle salute in front of a Jewish school. Joe le Corbeau has been accused of incitement to ethnic or racial hatred. Dozens of mainstream media outlets published the same quenelle without having any problem. In your opinion, is Joe le Corbeau subject to tribal revenge via the French judiciary?

Gilad Atzmon: Once again, we learn that neither the French ‘Socialist’ government nor its Jerusalemite paymasters can cope with a certain type of parody. Is it a coincidence?

For generations, Yiddish humor has been outrageously mocking the goyim’s alleged ‘naivety’ and ‘stupidity’ while simultaneously celebrating an imaginary ‘Jewish wit’. But as we learn, once again, ‘mocking others’ is a Jews-only territory.

At least the French ‘Socialist’ government has been kind enough to let us know what Jewish chosenness actually means in practice.  

But it goes even further. In the past, the Left was concerned with the rise of xenophobia – animosity towards the stranger, the foreigner, the ‘Other’.  But what we see in contemporary France is the complete opposite, namely Oikophobia –­ an emerging hatred and fear of the Oikos, i.e. the home, the indigenous, the host, the rooted, the authentic.   

In order to combat xenophobia, the New Left, dominated by Frankfurt Yeshiva graduates, introduced us to identity politics  – a manifest attempt to break society up into multiple marginal sectors. The outcome was a swift metamorphosis of Left culture. Traditional working class politics was replaced by a fake notion of diversity that was translated, in practice, into a manifold of meaningless sectarian clashes.  

Threatened by nationalism and patriotism, the Jewish intelligensia wanted to see society broken up into manifold discourses driven by ethnicity, race and gender (e.g. LGBT). It basically re-defined the Western ethos as a collective of godless synagogues.  The post-'68 Left joined this very dangerous political experiment in a desperate attempt to break down the overtly cohesive, nationalist working class. As we all know, the consequences have been devastating. Instead of overcoming xenophobia, racism or intolerance, each of us has become a stranger in our own home. We voluntarily Other-ised ourselves to the point of oblivion.  

This is exactly where Dieudonné intervenes. By means of humour, he has managed to re-unite us all: the Black, the Arab, the White, the poet and the patriot. He has reminded us all what is really meant by resistance.

Dieudonné has managed to re-launch a genuine Left dialectic dynamic fuelled by negation. Once again, we are united by our oppressors. And they can be easily identified – the forceful and domineering Jewish Lobby and its ‘Socialist’ puppet government.  

Joe le Corbeau is also opposed to Oikophobia – his humour is an emblem of the Oikos, i.e. the home, the nation, the rooted, the authentic, Frenchness.  I guess that a half-century of Frankfurt School indoctrination is about to come to an end.

Alimuddin Usmani: Joe le Corbeau is the publisher of 'Shoah Hebdo', a parody of the satirical publication 'Charlie Hebdo' which often targets Catholicism and Islam. Since Charlie Hebdo is regularly supported by the French government, does Joe Le Corbeau's work help us to become aware of the double standard concerning blasphemy?

Gilad Atzmon: It is far from a coincidence that the only people who still touch upon truth within Western society are comedians and satirists.  Politics, media, academia and the Arts have long since been castrated by means of political correctness.

Satire is certainly the last frontier, and it explains very well why the French Jewish elite unleashed its Socialist Big Brother to impose the current Orwellian Newspeak measures in a desperate attempt to remove le Corbeau, Dieudonné and others from our public milieu.  But, so far, their desperate campaign has backfired. They have made Dieudonné into an international hero.

Click to read more ...

​God's 12 Biggest Dick Moves in the Old Testament

By Rob Bricken

Before Jesus arrived and his divine father chilled out, the Old Testament God was, ironically, kind of a hellraiser. He was not a nice guy. He really liked killing people. And he may have actually been insane, if his willingness to randomly murder devout worshippers like Moses was any indication. Here are the 12 craziest, most awful things God did in the Old Testament, back before that wacked-out hippie Jesus softened him up.

1) Sending Bears to Murder Children

So a guy named Eliseus was traveling to Bethel when a bunch of kids popped up and made fun of him for being bald. That had to suck, and you can't blame Eliseus for being pissed and cursing them to God. But God had Eliseus' back, by which I mean he sent two bears to maul 42 of these kids to death. For making fun of a bald dude. I have to think Eliseus was looking for something along the lines of a spanking, or maybe the poetic justice of having the kids go bald, but nope, God went straight for the bear murder. But on the plus side, that pile of 40+ children's corpses never made fun of anybody again. (4 Kings 2:23-24)

2) Turning Lot's Wife to Salt

Click to read more ...

Concealment, Gaza and Detroit

Gilad Atzmon

Jewish Identity Politics and Israel Rich Forer & Gilad Atzmon

This talk was recorded at the First Universalist Church in Denver, Colorado on Sunday, February 16, 2014 by Jason Bosch.

Click to read more ...

In Texas for the next two days

Tonight, Mon 24th , Austin, TX: Brave New Books in Austin, TX. 6pm to 9 pm

any questions, call Harlan at 512 480 2503

address Suite B (Downstairs), 1904 Guadalupe St, Austin, TX 78705

(512) 480-2503

http://bravenewbookstore.com

Jazz by Gilad Atzmon (as), Trevor Labonte(g)


25th Tue Houston, TX: 7pm- at Ovations Night Club Gilad Atzmon/alto sax, Trevor LaBonte/guitar, Mike Owen/piano, Andrew Gordon/upright bass, Osama Raad/drums

Jewishness, Orwell, Eugenics & Stolen Foreskins

Joshua Blakeney Interviews Gilad Atzmon

Journalist Joshua Blakeney interviewed world-famous saxophonist and philosopher Gilad Atzmon. Atzmon, who describes himself as an ex-Jew and ex-Israeli, addressed a wide-range of subjects in the interview including the writing of George Orwell, the plight of French comedian Dieudonné, The Frankfurt School, internal racism within the Jewish ethnic group and much more...

Here Comes The Yiddish Quenelle

These anti Semites are everywhere..

Israeli ex-officer leads Ukraine "peacefull protesters"

Gilad Atzmon with Jeff Blankfort -Tonight in SF

http://wanderingwho.com/

Tonight, Oakland, CA: Writer/philosopher
Gilad Atzmon in conversation
with writer/journalist Jeffrey Blankfort
8pm- 6839 Saroni Dr., Oakland
Phone: (510)224-3518
$10-20 suggested donation
a benefit for the Palestine Children’s Welfare Fund  ”Racist and anti-Semitic” say his accusers, but Gilad Atzmon claims the opposite of racism, and accuses his accusers of racial bias. Bring an open mind, and prepare to challenge and be challenged. Music follows.

Tomorrow, Fri 21st  Oakland, CA:  Jazz virtuoso
Gilad Atzmon in concert with Peter Barshay on bass and Bryan Bowman on drums
7:00pm @Uptown Body & Fender
401 26th St. Oakland
Phone: (510)224-3518 19th St. BART$10-20 suggested donation

a benefit for the Palestine Children’s Welfare Fund The only 2014 Bay Area performance of acclaimed British jazz saxophonist and composer Gilad Atzmon. Discussion follows.
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22 Sat Portland, OR: Moderated Round Table Discussion with local Palestinians and Portlanders 6-8:30pm at Lucky Lab Brewing Company 915 SE Hawthorne Blvd. Portland, OR 97214 (503) 236-3555

Love The Jews - The believer, 2001 (must watch)