Atzmon writes on political matters, social issues, Jewish identity and culture. His papers are published on very many press outlets around the world. Here is just a short list of his recent publications: World News, Press Tv, Rebelion, The Daily Telegraph, Uprooted Palestinians, Veterans Today, Palestine Telegraph, Counterpunch, Dissident Voice, Aljazeera Magazine, Information Clearing House, Middle-East-Online, Palestine Chronicle, The People Voice, Redress, Shoa (The Palestinian Holocaust) , The Guardian, transcend and many more.
Wandering Who? A Study Of Jewish Identity PoliticsJewish identity is tied up with some of the most difficult and contentious issues of today. The purpose in this book is to open many of these issues up for discussion. Since Israel defines itself openly as the ‘Jewish State’, we should ask what the notions of ’Judaism’, ‘Jewishness’, ‘Jewish culture’ and ‘Jewish ideology’ stand for. Gilad examines the tribal aspects embedded in Jewish secular discourse, both Zionist and anti Zionist; the ‘holocaust religion’; the meaning of ‘history’ and ‘time’ within the Jewish political discourse; the anti-Gentile ideologies entangled within different forms of secular Jewish political discourse and even within the Jewish left. He questions what it is that leads Diaspora Jews to identify themselves with Israel and affiliate with its politics. The devastating state of our world affairs raises an immediate demand for a conceptual shift in our intellectual and philosophical attitude towards politics, identity politics and history.
The book is available on Amazon.com or Amazon.co.uk
Gilad Atzmon on HardTalk BBC Persia (english) from Gilad Atzmon on Vimeo.
Wednesday, July 20, 2011 at 2:22PM Gilad Atzmon 
Sean Rafferty presents Gilad with Strings (OHE+ The Sigamos 4tet) ahead of our Ronnie Scott's residency (last week).
Gilad With Strings on BBC 3 In Tune July 4th 2011 by Gilad Atzmon
Monday, December 6, 2010 at 8:19AM Gilad Atzmon 
Talking to Andy Robson (Jazzwise, December Issue) about Jazz, Palestine, the Orient House, politics, art funding and music education.
The most outspoken saxophonist on the planet? Probably. But GILAD ATZMON turns the tables yet again, and lets the music do the talking, on his latest album The Tide Has Turned, but he still has plenty to say, as ANDY ROBSON discovers
They call him the hardest-working man in jazz. But even by his standards, it’s been a hectic time for Gilad Atzmon lately. It’s breakfast time on a Tuesday and he has still not had the chance to get off the ever-ringing phone. “I have never been so fucking stressed in my life,” admits the sax man, ripping out his earpiece and finally snapping off the phone. “On Friday it was Ronnie’s and the Orient House launch, last night was Jazza For Gaza at which we launched Robert Wyatt’s album; tonight’s the second night of Jazza and then it’s back to the Orient House tour which is our biggest ever. Oh, and I’m working on Sarah Gillespie’s album for the new year.”
Thursday, November 11, 2010 at 9:17AM Gilad Atzmon 
A few days ago I was talking to Carlos Pérez Cruz on El Club De Jazz.
We discussed music, politics, Palestine, For The Ghost Within, The Tide Has Changed and more...
The Spanish program is here http://www.elclubdejazz.com/envivo/ (10/11/2010)
The English interview is here:
Club de Jazz 10 11 2010 www.elclubdejazz.com with Gilad Atzmon by Gilad Atzmon
Monday, October 11, 2010 at 12:13AM Gilad Atzmon
Oi vey, an Israeli orchestra plans to play the music of this meshigine Wagner, whom Hitler loved so much.
Wagner’s music is considered taboo in Israel, it is years since he made it to top 40’s in the Jewish state. Wagner also held views that are far from being popular amongst Jews. He once wrote that Jews were only capable of producing money-making music and not works of art. I guess that Israelis do not like meshiges with an astute reading of the socio-economy of the show business.
Wagner’s great-granddaughter Katharina had planned to visit Israel this week to officially invite the orchestra to perform the music at a Wagner festival in Bayreuth in southern Germany. This Shikze seems to believe in reconciliation and harmony. She told the London Guardian that she wanted the Israeli orchestra to play at the German festival in an attempt to “heal wounds,”. What a silly move, once wounds of the past are healed, nothing would be left for the Jews to moan about.
Sunday, October 10, 2010 at 9:56PM Gilad Atzmon 
Until now, it' been a real source of pride amongst Israel's support network that big name musicians have felt 'safe' to appear at Zionist fund raisers. Even whilst Israel commits ever more stomach churning war crimes in Palestine and -as we saw in May with the attack on the Freedom Flotilla - in international waters.
Aappearing at events to raise issues related to justice in Palestine was seen as a sure fire way of artists being branded anti semitic- leading to (so artists were lead to believe) falls in record sales and trouble s booking tour venues. But, as Gilad Atzmon has aptly named his latest CD ' the tide has changed.'
The Palestine issue is now 'hot' and for the first time, this coming week, a music festival featuring forty world class musicians and bands is taking place in London to send this message far and wide.
JAZZA Fesitval is at the SCALA, London on 12th/13th October, marks the official launch not only of the much anticipated Robert Wyatt/Atzmon/Ros Stephen album.It brings together for the first time artists from the worlds of jazza, funk, folk and hip hop - for Palestine.
To read more:
To book:
http://jazzaproductions.squarespace.com/events/
Sunday, October 3, 2010 at 12:58PM Gilad Atzmon 
I was talking this morning to Jumoke Fashola, BBC Radio London. We discussed music, Gaza, Jazza, OHE's new album, Robert Wyatt, Israel, Palestine and life in general. You may find it interesting.
Monday, October 19, 2009 at 10:07PM Gilad Atzmon 
Shanghai is modernity in action, it is up for business, its many staggering new high-rise buildings, spear the imagination as well as the sky. It is saturated with festive almost unreal glamour, it is soaking in wealth, it is overwhelmingly proud and yet, it is humane, very humane in fact. It is habitable, it is relatively quiet, it feels safe, it welcomes you on board. It is the Western Metropolis wannabe, yet it is in the East.
I was advised before my journey that Shanghai is not exactly a ‘cultural shock’, quite the opposite; one seems to have met Shanghai in one’s urban fantasy a long time before landing there. Shanghai is in fact the incarnation of the Western urban dream: it is an astonishing materialisation of everything the Western metropolis is claiming to be. In parts it is the embodiment of the urban imagery; it is what New York was aiming at but somehow failed to reach. In other parts, it is the ultimate urban tranquillity of a Parisian tree-lined avenue with small bars and cosy cafés. It offers everything a big city can offer in terms of culture, entertainment, business and food yet it is totally sympathetic to its visitors and inhabitants.
Sunday, October 4, 2009 at 7:07PM Gilad Atzmon Jan 11th, 2009
Matoula Kousteni: What will you present to us in Megaron?
Gilad Atzmon: Hello Matoula, I will be playing material from my latest album Refuge. It is basically a mixture of jazz and ethnic music furnished with electronics. In the last few years I am largely interested in what I tend to define as ‘Urban Folk’.
