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Alimuddin Usmani Interviews  Gilad Atzmon

http://www.egaliteetreconciliation.fr/

Alimuddin Usmani: The new play by Bernard-Henri Levy, "Hotel Europe," that opened in Paris in September, was scheduled to run until January but will close in November due to a lack of people willing to play audience. BHL induced Sarkozy, Hollande and Valls to promote his play but apparently that didn’t help its reception. 

A Swiss comedian, Matthieu Béguelin, commented on Hotel Europe’s aborted run by saying: "La pièce de BHL fait un four." In theatrical vocabulary, the expression means that BHL’s play was a flop. As you probably know, the French word "four" means "oven" and the media were quick to react with commentary that BHL is Jewish and ‘oven’ can evoke the Nazi crematoriums. The comedian replied amongst other things that he was amused that nobody who talked about the walloping of BHL had dared to use the same common expression.

Do you have any comments on this story?

http://www.lematin.ch/suisse/humour-tres-particulier-matthieu-beguelin/story/16252599

 

Gilad Atzmon: As I have said before, if contemporary Jews insist upon building their identity around the primacy of their suffering, the Shoah and its symbolism (gas chambers, ovens, death march, etc.), it should not come as a surprise to them that other people also refer to Jews by their tragedies.

Alimuddin Usmani: Two Israeli soldiers recently shared their Gaza war diaries.

http://www.ynetnews.com/articles/0,7340,L-4580851,00.html

Their testimonials reveal a spiritually unmotivated army. You have said before that this is related to the hedonistic nature of Israeli society. Do you think this hedonism is a sign of the end of Israel?

Gilad Atzmon: Indeed, very revealing testimonials, and the fact that that they were published by the most popular Israeli media outlet is even more revealing. Israel is a hedonistic society, yet, not exactly a Western society. It is a unique blend of technology, fanaticism, hard-core Jewish supremacy, materialism and hedonism. This isn’t exactly the ideal cultural and ideological amalgam necessary to sustain a society that insists on living on other people’s land.


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The wandering who- Gilad Atzmon

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