Anthony Lawson/Jeff Gates- A Closer Look at Israel's Role in Terrorism - Parts 1, 2 and 3


Atzmon writes on political matters, social issues, Jewish identity and culture. His papers are published on very many press outlets around the world. Here is just a short list of his recent publications: World News, Press Tv, Rebelion, The Daily Telegraph, Uprooted Palestinians, Veterans Today, Palestine Telegraph, Counterpunch, Dissident Voice, Aljazeera Magazine, Information Clearing House, Middle-East-Online, Palestine Chronicle, The People Voice, Redress, Shoa (The Palestinian Holocaust) , The Guardian, transcend and many more.
Jewish identity is tied up with some of the most difficult and contentious issues of today. The purpose in this book is to open many of these issues up for discussion. Since Israel defines itself openly as the ‘Jewish State’, we should ask what the notions of ’Judaism’, ‘Jewishness’, ‘Jewish culture’ and ‘Jewish ideology’ stand for. Gilad examines the tribal aspects embedded in Jewish secular discourse, both Zionist and anti Zionist; the ‘holocaust religion’; the meaning of ‘history’ and ‘time’ within the Jewish political discourse; the anti-Gentile ideologies entangled within different forms of secular Jewish political discourse and even within the Jewish left. He questions what it is that leads Diaspora Jews to identify themselves with Israel and affiliate with its politics. The devastating state of our world affairs raises an immediate demand for a conceptual shift in our intellectual and philosophical attitude towards politics, identity politics and history.
The book is available on Amazon.com or Amazon.co.uk
Gilad Atzmon on HardTalk BBC Persia (english) from Gilad Atzmon on Vimeo.
I urge every person on this planet to watch Yoav Shamir’s Defamation, a documentary about anti Semitism.
To watch the entire film (UK only):
http://www.youtube.com/watch?v=P512xaLDVdk
Or here
http://www.channel4.com/programmes/defamation/4od - 3022029
To watch some selceted highlights (around the world):
http://www.youtube.com/watch?v=c5jsiLWXGYQ
The film is an astonishing exposure of the morbid conditions that entangle contemporary Jewish secular identity. It explores and ridicules the current notion of anti Semitism and the lobbies that are engaged in disseminating such a fear. It also exposes those Jewish ethnic campaigners who, for some reason, insist on shaping their identity around the phantasmic idea of being ‘racially’ chased, defamed or hated.
The launch of a new book by Joe Sacco is a major event, and with considerable expectation a crowd recently gathered in London to hear the great Maltese-American cartoonist and author discuss his latest book: Footnotes in Gaza. [1] Sacco spent seven years researching and drawing about two sordid events that took place in November 1956 when Israeli forces invaded Gaza as part of the joint British-French attack against Egypt. The Israeli army conducted two massacres where hundreds of Palestinians were murdered, and Sacco set out to collate the oral histories of the Palestinians who witnessed or were the victims of the events. Sacco engaged in a detailed investigative work finding the witnesses who could credibly recollect what happened, sifted through the accounts to eliminate the factual inconsistencies due to the deteriorated memories, and then spent four years bringing these histories to life in his inimitable style. The book doesn’t only focus on the past, but the present is also very much part of his account; in present day Gaza giant armoured bulldozers flatten houses in Rafah and where the ongoing siege affects everybody’s lives. Sacco says: “… the past and the present cannot be so easily disentangled; they are part of a remorseless continuum…”
The Israeli government doesn’t think twice before it orders a genocidal attack against civilians. Israeli military leaders do not think twice before they drop bombs on one of the most densely populated places on the planet. They also do not hesitate whether to use artillery shells against a UN refugee shelter. The Israeli people do not think twice before they approve en masse their army’s inhuman tactics. But for some bizarre reason, the Israelis are devastated to find out that the rest of humanity is coming to terms with their true nature. Once again it is a Turkish TV drama that exposes the Israelis for what they are. A murderous collective motivated by vengeance.
A few months back it was "Ayrilik". A Turkish prime-time TV series that portrayed the IDF as a bloodthirsty army.
Israeli TV, a glimpse into Jewish tolerance.
Bear in mind that this is Israel National TV's 5 pm News.
The elder Israeli presenter is Dan Margalit, a leading Israeli Journalist and a devoted servant of every Israeli government and War Criminal leaders in the last four decades (Rabin, Peres, Sharon, Netanyahu, Olmert, Livni and Barak)
Israel is no doubt the ugliest collective around.
In English they call it the “Iron Dome” in Hebrew they call it the “Iron Kipa” which could also be translated as ‘Iron Skullcap’ or even ‘Iron Yarmulka’*. Seemingly the Israelis love to mix iron with God.
The Iron Dome, Kipa or Yarmulka is the new Israeli guided missile system. It is there to stop rain of rockets from falling over Sderot, Ashkelon or Tel Aviv.
The Simon Wiesenthal Center in Los Angeles, California, is named after the famed Austrian Nazi-hunter, Simon Wiesenthal, a connection that turns out to be appropriate in disturbing but unexpected ways. That is, both Simon Wiesenthal and the Center named after him have been accused of flagrant lying, exaggerations and half-truths. Wiesenthal’s confabulations were never a matter of published discourse among scholars, so far as this writer can determine, nor were they popular knowledge until quite recently. In any case, it is now known that Wiesenthal, a born story-teller, rarely let the facts get in the way of a good story—in fact many of the things he claimed to have done were fabrications. This recently came to light with the publication, in June of 2009, of Hunting Evil, by British Author Guy Walters, in which he characterizes Simon Wiesenthal as “a liar—and a bad one at that.” Wiesenthal, he maintains, would “concoct outrageous stories about his war years and make false claims about his academic career.” Walters found that there were “so many inconsistencies between his three main memoirs and between those memoirs and contemporaneous documents, that it is impossible to establish a reliable narrative from them. Wiesenthal’s scant regard for the truth makes it possible to doubt everything he ever wrote or said.”1